All different kinds of bods want to connect with other bods, but lots of them get left out of the conversation when it comes to S-E-X. As explained by disabled cartoonist A. Andrews, this easy-to-read guide covers the basics of disability sexuality, common myths about disabled bodies, communication tips, and practical suggestions for having the best sexual experience possible. Whether you yourself are disabled, you love someone who is, or you just want to know more, consider this your handy starter kit to understanding disability sexuality, and your path to achieving accessible (and fulfilling) sex.
A cynical, paraplegic screenwriter with borderline personality disorder gets recruited to join a secret organization that oversees relations between Hollywood and Fairyland in the first book of a new urban fantasy series from debut author Mishell Baker.
A love letter to Brown, Queer, and Trans futures, Kay Ulanday Barrett’s More Than Organs questions "whatever wholeness means” for bodies always in transit, for the safeties and dangers they silo. These poems remix people of color as earthbenders, replay “the choreography of loss” after the 2015 Pulse shooting, and till joy from the cosmic sweetness of a family’s culinary history.
"Welcome to the worlds of the disabled. The physically disabled. The mentally disabled. The emotionally disabled. What does that word "disabled" mean anyway? Is there a right way to be crippled? Editors Sheila Black and Michael Northen (co-editors of the highly praised anthology Beauty is a Verb: The New Poetry of Disability) join newcomer Annabelle Hayse to present short stories by Jillian Weise, Dagoberto Gilb, Anne Finger, Stephen Kuusisto, Thom Jones, Lisa Gill, Floyd Skloot and others. These authors--all who experience the "disability" they write about--crack open the cage of our culture's stereotypes. We look inside, and, through these people we thought broken, we uncover new ways of seeing and knowing"-- Provided by publisher.
From the disability rights advocate and creator of the #DisabledAndCute viral campaign, a thoughtful, inspiring, and charming collection of essays exploring what it means to be black and disabled in a mostly able-bodied white America. Keah Brown loves herself, but that hadn't always been the case. Born with cerebral palsy, her greatest desire used to be normalcy and refuge from the steady stream of self-hate society strengthened inside her. But after years of introspection and reaching out to others in her community, she has reclaimed herself and changed her perspective. In The Pretty One, Brown gives a contemporary and relatable voice to the disabled -- so often portrayed as mute, weak, or isolated. With clear, fresh, and light-hearted prose, these essays explore everything from her relationship with her able-bodied identical twin (called 'the pretty one' by friends) to navigating romance; her deep affinity for all things pop culture--and her disappointment with the media's distorted view of disability; and her declaration of self-love with the viral hashtag #DisabledAndCute. By 'smashing stigmas, empowering her community, and celebrating herself' (Teen Vogue), Brown and The Pretty One aims to expand the conversation about disability and inspire self-love for people of all backgrounds.
In the Field Between Us is comprised of letters in verse between Molly McCully Brown and Susannah Nevison, which ponders disability and the possibility of belonging in the aftermath of lifelong medical intervention.
Based on the pioneering New York Times series, About Us collects the personal essays and reflections that have transformed the national conversation around disability. Boldly claiming a space in which people with disabilities can be seen and heard as they are-not as others perceive them-About Us captures the voices of a community that has for too long been stereotyped and misrepresented. Speaking not only to those with disabilities, but also to their families, coworkers and support networks, the authors in About Us offer intimate stories of how they navigate a world not built for them. Since its 2016 debut, the popular New York Times' "Disability" column has transformed the national dialogue around disability. Now, echoing the refrain of the disability rights movement, "Nothing about us without us," this landmark collection gathers the most powerful essays from the series that speak to the fullness of human experience-stories about first romance, childhood shame and isolation, segregation, professional ambition, child-bearing and parenting, aging and beyond. Reflecting on the fraught conversations around disability-from the friend who says "I don't think of you as disabled," to the father who scolds his child with attention differences, "Stop it stop it stop it what is wrong with you?"-the stories here reveal the range of responses, and the variety of consequences, to being labeled as "disabled" by the broader public.
Blending prose and theory, personal experience and political debate, anger and compassion, Exile & Pride provides a window into a world where our whole selves in all their complexity can be loved and accepted.
In the early evening on October 1, 2003, Christina Crosby was three miles into a seventeen mile bicycle ride, intent on reaching her goal of 1,000 miles for the riding season. She was a respected senior professor of English who had celebrated her fiftieth birthday a month before. As she crested a hill, she caught a branch in the spokes of her bicycle, which instantly pitched her to the pavement. Her chin took the full force of the blow, and her head snapped back. In that instant, she was paralyzed.
Judith is barely out of her teens when a tumor begins pressing on her brain, ushering in a new world of seizures, memory gaps, and loss of self. Suddenly, the sentence of her normal life has been interrupted by the opening of a parenthesis that may never close. Based on the real experiences of cartoonist Élodie Durand, Parenthesis is a gripping testament of struggle, fragility, acceptance, and transformation which was deservedly awarded the Revelation Prize of the Angoulême International Comics Festival."--Amazon.
Arlo Dilly is young, handsome, and eager to meet the right girl. He also happens to be DeafBlind, a Jehovah's Witness, and under the strict guardianship of his controlling uncle. His chances of finding someone to love seem slim to none. And yet, it happened once before: many years ago, at a boarding school for the Deaf, Arlo met the love of his life--a mysterious girl with onyx eyes and beautifully expressive hands which told him the most amazing stories. But tragedy struck, and their love was lost forever--or so Arlo thought.
The actor shares personal stories and observations about illness and health, aging, the strength of family and friends, and how perceptions about time affect the consideration of mortality.
A queer, political, and feminist collection guided by self-reflection. The poems range from close examination of the deeply personal to the vastness of the world, exploring the expansiveness of the human experience from love to illness, from space to climate change, and so much more in between. One of the most celebrated poets and performers of the last two decades, Andrea Gibson's trademark honesty and vulnerability are on full display in You Better Be Lightning, welcoming and inviting readers to be just as they are.
Mara Tagarelli is, professionally, the head of a multimillion-dollar AIDS foundation; personally, she is a committed martial artist. But her life has turned inside out like a sock. She can't rely on family, her body is letting her down, and friends and colleagues are turning away--they treat her like a victim. She needs to break that narrative: build her own community, learn new strengths, and fight. But what do you do when you find out that the story you've been told, the story you'vetold yourself, is not true? How can you fight if you can't trust your body? Who can you rely on if those around you don't have your best interests at heart, and the systems designed to help do more harm than good? Mara makes a decision and acts, but her actions unleash monsters aimed squarely at the heart of her new community. This is fiction from the front lines, incandescent and urgent, a narrative juggernaut that rips through sentiment to expose the savagery of America's treatment of the disabled and chronically ill. But So Lucky also blazes with hope and a ferocious love of self, of the life that becomes possible when we stop believing lies.
One of the most influential disability rights activists in US history tells her personal story of fighting for the right to receive an education, have a job, and just be human. A story of fighting to belong in a world that wasn't built for all of us and of one woman's activism--from the streets of Brooklyn and San Francisco to inside the halls of Washington--Being Heumann recounts Judy Heumann's lifelong battle to achieve respect, acceptance, and inclusion in society.
Chloe Brown is a chronically ill computer geek with a goal, a plan, and a list. She's come up with seven directives to help her "Get a Life", and she's already completed the first: finally moving out of her family's mansion. She's ready to enjoy a drunken night out, ride a motorcycle, and other adventures. But it's not easy being bad, and Chloe knows just the man to help her complete her list. Redford 'Red' Morgan is a handyman with tattoos, a motorcycle, and sex appeal, who paints at night but hides his work. When she enlists Red to help her rebel, she discovers what really lies beneath his rough exterior. -- adapted from back cover
Chet Tremaine is living his best life. A successful lawyer with a loyal best friend, the arts and culture of New York City at his doorstep, and a peaceful retreat in Connecticut, Chet has it figured out. Even when a freak tennis accident leaves him blind in one eye, Chet is confident he'll be able to bounce back. But then he starts hallucinating: unknown children playing in his living room, pine needles seasoning his salad, wire grids barring access to his bathroom.
A guide for how to be a thoughtful, informed ally to disabled people, with actionable steps for what to say and do (and what not to do) and how you can help make the world a more accessible place.
Challenges the ableism of fairy tales and offers new ways to celebrate the magic of all bodies. In fairy tales, happy endings are the norm - as long as you're beautiful and walk on two legs. After all, the ogre never gets the princess. And since fairy tales are the foundational myths of our culture, how can a girl with a disability ever think she'll have a happy ending? By examining the ways that fairy tales have shaped our expectations of disability, Disfigured will point the way toward a new world where disability is no longer a punishment or impediment but operates, instead, as a way of centering a protagonist and helping them to cement their own place in a story, and from there, the world. Through the book, Leduc ruminates on the connections we make between fairy tale archetypes - the beautiful princess, the glass slipper, the maiden with long hair lost in the tower - and tries to make sense of them through a twenty-first-century disablist lens. From examinations of disability in tales from the Brothers Grimm and Hans Christian Andersen through to modern interpretations ranging from Disney to Angela Carter, and the fight for disabled representation in today's media, Leduc connects the fight for disability justice to the growth of modern, magical stories, and argues for increased awareness and acceptance of that which is other - helping us to see and celebrate the magic inherent in different bodies.
Daniel leads a rich life in the university town of Athens, Georgia. He's got a couple close friends, a steady paycheck working for a regional airline, and of course, for a few glorious days each Fall, college football tailgates. He considers himself to be a mostly lucky guy - despite the fact that he's suffered from a debilitating disease since he was a small child, one that has left him unable to speak or to move without a wheelchair. Largely confined to his home, Daniel spends the hours he's not online communicating with irate air travelers observing his neighborhood from his front porch. One young woman passes by so frequently that spotting her out the window has almost become part of his daily routine. Until the day he's almost sure he sees her being kidnapped...
First published over forty years ago, The Cancer Journals is a startling, powerful account of Audre Lorde's experience with breast cancer and mastectomy. Long before narratives explored the silences around illness and women's pain, Lorde questioned the rules of conformity for women's body images and supported the need to confront physical loss not hidden by prosthesis. Living as a "black, lesbian, mother, warrior, poet," Lorde heals and re-envisions herself on her own terms and offers her voice, grief, resistance, and courage to those dealing with their own diagnosis. Poetic and profoundly feminist, Lorde's testament gives visibility and strength to women with cancer to define themselves, and to transform their silence into language and action.
In Waist-High in the World, Mairs explores in her inimitable voice the subject that has always been in the background of her writing, but which she takes on here for the first time at book-length - disability and the way it shapes a life. The result is a brave and beautiful book that will open new worlds for readers. It begins with a disavowal ("I cannot begin to write this book ... I don't want to think about my crippled life") and ends with a declaration of hope ("I choose joy"). In between, Mairs gives us a brilliant portrait of an issue and experience too rarely portrayed and talked about. She begins with subjects close to home: the personal history of her disease, the intimate realities of the body, the moral economy of care and caregiving, life with her husband and children. The second half of the book covers topics that look outward: women with disabilities, obstacles physical and social, the ethics of selective abortion and euthanasia, the joys and troubles of travel, and more.
After a car accident Jarred discovers he'll never walk again. Confined to a 'giant roller-skate', he finds himself with neither money nor job. Worse still, he's forced to live back home with the father he hasn't spoken to in ten years. Add in a shoplifting habit, an addiction to painkillers and the fact that total strangers now treat him like he's an idiot, and it's a recipe for self-destruction. How can he stop himself careering out of control? As he tries to piece his life together again, he looks back over his past - the tragedy that blasted his family apart, why he ran away, the damage he's caused himself and others - and starts to wonder whether, maybe, things don't always have to stay broken after all.
A ... candid account of a young journalist's awakening to a life of chronic illness, weaving together her personal story with reporting to shed light on how Americans live with long-term diagnoses today.
He doesn't do relationships. She doesn't do flings. Everything they thought is about to unravel... Frankie When you say you're a sexologist, people imagine Marilyn Monroe. They don't expect a woman who uses a wheelchair. As the host of the All Access Podcast, I'm breaking barriers, crushing stigmas, and creating sexual connections that are fulfilling for my fans. I'm like cupid, but with pink hair and fewer diapers. Only, I've hit a snag. A lovely listener wants some advice about accessible rope play and I'm drawing a big fat blank. Which leaves me with no option but to get out there and give it a go. Which is how I meet Jay Wood-rigger, carpenter, and all-round hottie. I'd be open to letting him wine and dine me-only Jay isn't my type. He's not a one-girl kind of guy. Monogamy isn't even in his vocab, and I'm not a woman who'll settle for being second choice. But the closer we get, the more Jay has me tied up in knots. And it's making me think, maybe I could compromise and accept a little Wood in my life. Even if it's only temporary. Jay Frankie's funny, intelligent, and ridiculously sexy. This should be a no-brainer. A little fun in the sheets, and a little romp with some ropes-simple. Only the infuriating woman is asking for more. I'm not that kind of guy. I wouldn't even know how to be that kind of guy. I'm the definition of easy. It'll be fine. We'll be friends. Just friends. So, why does my heart feel frayed? And why is it I can't help but consider taking the ultimate leap of faith-tying myself to Frankie. Permanently.
In the midst of the coronavirus pandemic, a queer disabled woman bikes through a locked-down New York City in search of connection.
True biz? The students at the River Valley School for the Deaf just want to hook up, pass their history final, and have doctors, politicians, and their parents stop telling them what to do with their bodies. This revelatory novel plunges readers into the halls of a residential school for the deaf, where they'll meet Charlie, a rebellious transfer student who's never met another deaf person before; Austin, the school's golden boy, whose world is rocked when his baby sister is born hearing; and February, the headmistress, who is fighting to keep her school open and her marriage intact, but might not be able to do both at the same time. As a series of crises both personal and political threaten to unravel each of them, Charlie, Austin, and February find their lives inextricable from one another-and changed forever. This is a story of sign language and lip-reading, cochlear implants and civil rights, isolation and injustice, first love and loss, and, above all, great persistence, daring, and joy. Absorbing and assured, idiosyncratic and relatable, this is an unforgettable journey into the Deaf community and a universal celebration of human connection.
In this collection of essays, Lambda Literary Award-winning writer and longtime activist and performance artist Leah Lakshmi Piepzna-Samarasinha explores the politics and realities of disability justice, a movement that centers the lives and leadership of sick and disabled queer, trans, Black, and brown people, with knowledge and gifts for all.
New York, 1942: Willowjean "Will" Parker is a scrappy circus runaway whose knife-throwing skills have just saved the life of private investigator, Lillian Pentecost. Lillian's multiple sclerosis means she can't keep up with her old case load alone, so she wants to hire Will to be her right-hand woman. In return, Will is to receive a salary, room and board, and training in Lillian's very particular art of investigation. Three years later: Will and Lillian are on a case: Abigail Collins was found bludgeoned to death with a crystal ball following a big, boozy Halloween party at her home; her body in the same chair where her steel magnate husband shot himself the year before - in a locked room. The case involves messages from the dead, a seductive spiritualist, and Becca Collins - daughter of the deceased. When Will and Becca start a relationship, Will discovers she may have become the murderer's next target.
From disability advocate with a PhD in disability studies and creative nonfiction, and creator of the Instagram account @ sitting pretty, an essay collection based on a lifetime of experiences in a paralyzed body, tackling themes of identity, accessibility, bodies, and representation.
A groundbreaking collection of first-person writing on the joys and challenges of the modern disability experience: Disability Visibility brings together the voices of activists, authors, lawyers, politicians, artists, and everyday people whose daily lives are, in the words of playwright Neil Marcus, "an art . . . an ingenious way to live." According to the last census, one in five people in the United States lives with a disability. Some are visible, some are hidden--but all are underrepresented in media and popular culture. Now, just in time for the thirtieth anniversary of the Americans with Disabilities Act, activist Alice Wong brings together an urgent, galvanizing collection of personal essays by contemporary disabled writers. There is Harriet McBryde Johnson's "Unspeakable Conversations," which describes her famous debate with Princeton philosopher Peter Singer over her own personhood. There is columnist s. e. smith's celebratory review of a work of theater by disabled performers. There are original pieces by up-and-coming authors like Keah Brown and Haben Girma. There are blog posts, manifestos, eulogies, and testimonies to Congress. Taken together, this anthology gives a glimpse of the vast richness and complexity of the disabled experience, highlighting the passions, talents, and everyday lives of this community. It invites readers to question their own assumptions and understandings. It celebrates and documents disability culture in the now. It looks to the future and past with hope and love.
Drawing on a collection of original essays, previously published work, conversations, graphics, photos, commissioned art by disabled and Asian American artists, and more, Alice uses her unique talent to share an impressionistic scrapbook of her life as an Asian American disabled activist, community organizer, media maker, and dreamer. From her love of food and pop culture to her unwavering commitment to dismantling systemic ableism, Alice shares her thoughts on creativity, access, power, care, the pandemic, mortality, and the future. As a self-described disabled oracle, Alice traces her origins, tells her story, and creates a space for disabled people to be in conversation with one another and the world. Filled with incisive wit, joy, and rage, Wong's Year of the Tiger will galvanize readers with big cat energy.