Long before the uprising at the Capitol, the threat of insurrection has held a mirror to America's highest ideals and deepest fears. The Insurrection Act of 1807-passed amid pervasive fears of slave rebellion-authorizes the president to deploy federal troops to quell domestic uprisings. Invoked during Reconstruction and the civil rights movement, the Act was deployed to enforce the promise of equal citizenship for Black Americans. But the Act has also authorized federal military intervention to suppress so-called race riots after Martin Luther King Jr.'s assassination and during the 1992 Los Angeles rebellion; more recently, President Trump threatened to use the Act in response to the George Floyd racial justice protests. The invocation of the Act to either enforce civil rights or suppress riots, lawyer and cultural critic Hawa Allan argues, reflects the enduring struggle to incorporate Black Americans as full citizens of the United States. She demonstrates how the Insurrection Act exposes America's most enduring conflicts: over racial injustice, human rights, equal citizenship, and federal power.
In this impressive anthology, Natalie Baszile brings together essays, poems, photographs, quotes, conversations, and first-person stories to examine black people’s connection to the American land from Emancipation to today. In the 1920s, there were over one million black farmers; today there are just 45,000. Baszile explores this crisis, through the farmers’ personal experiences. In their own words, middle aged and elderly black farmers explain why they continue to farm despite systemic discrimination and land loss. The "Returning Generation"—young farmers, who are building upon the legacy of their ancestors, talk about the challenges they face as they seek to redress issues of food justice, food sovereignty, and reparations.
Intertwining personal essays and interviews with distinguished poets, such as Lucille Clifton, Sonia Sanchez, Patricia Smith and Natasha Trethewey, Soul Culture: Black Poets, Books and Questions that Grew Me Up, explores the impact of identity, joy, love, and history on writing and the artistic process in the latter half of the twentieth century.
In this magisterial, intimate novel, debut writer Lakiesha Carr captures the essence of Black womanhood, richly articulating the private lives of a cast of women from East Texas, illuminating the grief that is carried inside them, as well as the bonds of love that both define them and give them strength. A middle-aged colon hydrotherapist feeds the slots at a secret parlor, fighting memories of gendered violence with plastic cups of Crown Royal. A mother attempts to bleach her infant son's skin in response to watching police brutality and the cold truth that no amount of success can erase Blackness. A young woman comes home and spends several days with Mama Eloise, Lena, Peaches, Aunt Bee, and the other women in her family, jopining with them to conduct spiritual combat with the ghosts of their past abusers. She, like the others who populate Lakiesha Carr's dazzling debut, needs healing, strength, and it is with these older women, those who come before her, that she will find it. A masterful and commanding writer, and a singular new voice, Carr composes a portrait of generations of interconnected women confined by the pressures on their lives and by their alienation from their roots. Deeply affecting, tender and vulnerable, An Autobiography of Skin offers a raw and tender view into the interior, private life of Black womanhood. It lays bare how pain, how trauma, is carried inside the body, inside flesh and skin. And, it reveals that healing may be found inside us, ultimately celebrating Black life, and the places where love, mercy, gratitude, and freedom can be found.
A new historical anthology from transatlantic slavery to the Reconstruction curated by the Schomburg Center, that makes the case for focusing on the histories of Black people as agents and architects of their own lives and ultimate liberation, with a foreword by Kevin Young. This is the first Penguin Classics anthology published in partnership with the Schomburg Center, a world-renowned cultural institution documenting black life in America and worldwide. A historic branch of NYPL located in Harlem, the Schomburg holds one of the world's premiere collections of slavery material within the Lapidus Center for Historical Analysis of Transatlantic Slavery. Unsung will place well-known documents by abolitionists alongside lesser-known life stories and overlooked or previously uncelebrated accounts of the everyday lives and activism that were central in the slavery era, but that are mostly excised from today's master accounts. Unsung will also highlight related titles from founder Arturo Schomburg's initial collection: rare histories and first-person narratives about slavery that assisted his generation in understanding the roots of their contemporary social struggles. Unsung will draw from the Schomburg's rich holdings in order to lead a dynamic discussion of slavery, rebellion, resistance, and anti-slavery protest in the United States.
Black Futures is a collection of work--art, photos, essays, memes, dialogues, recipes, tweets, poetry, and more--that tells the story of the radical, imaginative, bold, and beautiful world that black artists, high and low, are producing today. The book presents a succession of brilliant and provocative pieces--from both emerging and renowned creators of all kinds--that generates an entrancing rhythm: Readers will go from conversations with hackers and street artists to memes and Instagram posts, from powerful prose to dazzling paintings and insightful infographics. A generational document that captures this fast-moving generation in its own dynamic and exspansive language. While shaped in the tradition of other generational statements, from The New Negro to Black Fire to Toni Morrison's landmark The Black Book, Black Futures does not have a retrospective air. It showcases the present, but points to the future. We live at a time when black culture--whether it's created by Ava DuVernay or Donald Glover, Kendrick Lamar or Cardi B, meme-makers or YouTubers--is opening our imaginations and offering new paths forward, a multi-voiced, utopian alternative to a world of walls and white nationalism. Black Futures captures this expansive vision and energy and makes it available to any reader, of any color, who wants to explore this exciting cultural moment and see the next one coming.
In Washington, D.C., in the 1950s, Adam Sunraider, a race-baiting senator from a New England state, is mortally wounded by an assassin's bullet while making a speech on the Senate floor. To the shock of all who think they know him, Sunraider calls out from his deathbed for Hickman, an old black minister, to be brought to his side. The Reverend summoned; the two are left alone. Out of their conversation, and the inner rhythms of memories whose weight has been borne in silence for many long years, a story emerges. For this United States senator, once known as Bliss, was raised by Reverend Hickman in a religion- and music-steeped black community not unlike Ralph Ellison's own childhood home. He was brought up to be a preaching prodigy in a joyful black Baptist ministry that traveled throughout the South and the Southwest. Together one last time, the two men retrace the course of their shared life in "an anguished attempt," Ellison once put it, "to arrive at the true shape and substance of a sundered past and its meaning." In the end the two men arrive at their most painful memories, memories that hold the key to understanding the mysteries of kinship and race that bind them, and to the senator's confronting how deeply estranged he has become from his true identity.
The Declaration of Independence announced equality as an American ideal, but it took the Civil War and the subsequent adoption of three constitutional amendments to abolish slavery, guarantee all persons due process and equal protection of the law, and equip black men with the right to vote. Foner traces the arc of these pivotal amendments from their dramatic origins in pre-Civil War mass meetings of African-American "colored citizens" and in Republican party politics to their virtual nullification in the late nineteenth century.
An epic tale of black freedom, uprising, and a radical representat ion of romantic love between black men in slavery times
"It is staggering that there is no date commemorating the end of slavery in the United States." -Annette Gordon-Reed. The essential, sweeping story of Juneteenth's integral importance to American history, as told by a Pulitzer Prize-winning historian and Texas native. Interweaving American history, dramatic family chronicle, and searing episodes of memoir, Annette Gordon-Reed, the descendant of enslaved people brought to Texas in the 1850s, recounts the origins of Juneteenth and explores the legacies of the holiday that remain with us. From the earliest presence of black people in Texas-in the 1500s, well before enslaved Africans arrived in Jamestown-to the day in Galveston on June 19, 1865, when General Gordon Granger announced the end of slavery, Gordon-Reed's insightful and inspiring essays present the saga of a "frontier" peopled by Native Americans, Anglos, Tejanos, and Blacks that became a slaveholder's republic. Reworking the "Alamo" framework, Gordon-Reed shows that the slave-and race-based economy not only defined this fractious era of Texas independence, but precipitated the Mexican-American War and the resulting Civil War. A commemoration of Juneteenth and the fraught legacies of slavery that still persist, On Juneteenth is stark reminder that the fight for equality is ongoing.
A father's sudden disappearance exposes the private fears, dreams, longings, and joys of a Black American family in the late decades of the twentieth century, in this page-turning and intimate new novel from the author of The Care and Feeding of Ravenously Hungry Girls. It's a warm, bright October afternoon, and Ozro Armstead walks out into the brilliant sunshine on his thirty-seventh birthday. At home, his wife Deborah and daughter Trinity prepare a surprise celebration; down the street, his brother waves as Oz heads back to his office after having lunch together. But he won't make it to the party or even to his briefcase back at his desk. He's about to disappear. In the days, months, and years to follow, Deborah and Trinity look backward and forward as they piece together the life of the man they love, but whom they come to realize they might never have truly known. In a gripping narrative that moves from the Great Migration to 1970s Detroit and 1990s New York, we follow the hopes, triumphs, losses, and secrets that build up and tear apart an American family.
The animating idea of The 1619 Project is that our national narrative is more accurately told if we begin not on July 4, 1776, but in late August of 1619, when a ship arrived in Jamestown bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival inaugurated a barbaric and unprecedented system of chattel slavery that would last for the next 250 years. This is sometimes referred to as the country's original sin, but it is more than that: It is the country's very origin. The 1619 Project tells this new origin story, placing the consequences of slavery and the contributions of Black Americans at the center of the story we tell ourselves about who we are as a country. Orchestrated by the editors of The New York Times Magazine, led by MacArthur "genius" and Pulitzer Prize-winning journalist Nikole Hannah-Jones, this collection of essays and historical vignettes includes some of the most outstanding journalists, thinkers, and scholars of American history and culture--including Linda Villarosa, Jamelle Bouie, Jeneen Interlandi, Matthew Desmond, Wesley Morris, and Bryan Stevenson.
To come to terms with who she is and what she wants, Ailey, the daughter of an accomplished doctor and a strict schoolteacher, embarks on a journey through her family's past, helping her embrace her full heritage, which is the story of the Black experience in itself.
When a plantation proprietor and former slave--now possessing slaves of his own--dies, his household falls apart in the wake of a slave rebellion and corrupt underpaid patrollers who enable free black people to be sold into slavery.
An exciting, genre-redefining narrative mix of memoir, inspiration, and specific exercises and prompts, with timely messages about social and racial justice and how the world needs to move beyond body positivity to something even more exciting and revolutionary-body liberation.
Living While Black is a powerful expose of the impact of anti-Black racism and a practical guide to overcome racial trauma.
When writer Tracey M. Lewis-Giggetts wrote a piece for The Washington Post ('My daughter reminded me that Black joy is a form of resistance'), she had no idea just how much or how widely it would resonate with parents across America. As a Professor of English and Race Studies, and a writer whose work focuses on the intersection of race, trauma, and healing, she knew that Black joy is truly a weapon of resistance, a tool for resilience. In the outpouring for more on the subject, Tracey saw there was a need for something longer than a thousand words on the subject.
Cynthia Manick's latest is a playlist of everyday life, introverted thoughts, familial bonds, and social commentary. In piercing language, she traces the circle of life for a narrator who dares to exist between youthful remembrances and adulthood realities. Each poem in No Sweet Without Brine is a reminder that a hint of sorrow makes the celebration and recognition of the glory of Blackness in all ways, and through all people, that much sweeter.
Nature Swagger presents thirty life-changing stories of self-discovery, courage, and healing in the natural world. Told through first-person narratives, essays, and poems, this uplifting collection celebrates the many ways that outdoor spaces offer Black people opportunities for personal empowerment, connection, and rejuvenation. Readers will immerse themselves in stories told from mountains, redwood forests, city parks, and far-off beaches: joining a woman on her courageous journey up Kilimanjaro, meeting a couple teaching the art of beekeeping in urban Detroit, and following a long-distance swim alongside a pod of dolphins-plus so much more. Interspersed are essays by author and celebrated outdoor leader, Rue Mapp, honoring the rich history and traditions surrounding Black people's relationship to the outdoors. Full of breathtaking photography and powerful storytelling, this boundary-breaking collection offers moments of profound beauty and insight, inviting every reader to forge their own meaningful and joyful relationship with the natural world.
The first major Gullah Geechee cookbook from "the matriarch of Edisto Island," who provides delicious recipes and the history of an overlooked American community. The history of the Gullah and Geechee people stretches back centuries, when enslaved members of this community were historically isolated from the rest of the South because of their location on the Sea Islands of coastal South Carolina and Georgia. Today, this Lowcountry community represents the most direct living link to the traditional culture, language, and foodways of their West African ancestors.
Across America, the pure love and popularity of barbecue cookery has gone through the roof. Prepared in one regional style or another, in the South and beyond, barbecue is one of the nation's most distinctive culinary arts. And people aren't just eating it; they're also reading books and articles and watching TV shows about it. But why is it, asks Adrian Miller--admitted 'cuehead and longtime certified barbecue judge--that in today's barbecue culture African Americans don't get much love? In Black Smoke, Miller chronicles how Black barbecuers, pitmasters, and restauranteurs helped develop this cornerstone of American foodways and how they are coming into their own today.
It's 1957, and after leaving the only home she has ever known, Alice Young steps off the bus into the all-Black town of New Jessup, Alabama, where residents have largely rejected integration as the means for Black social advancement. She falls in love with Raymond Campbell, whose clandestine organizing activities challenge New Jessup's status quo and could lead to the young couple's expulsion-or worse-from the home they hold dear. But as Raymond continues to push alternatives for enhancing New Jessup's political power, Alice must find a way to balance her undying support for his underground work with her desire to protect New Jessup from the rising pressure of upheavals both in and out of town.
This illustrated companion book to an upcoming Smithsonian exhibition explores the power of Afrofuturism to reclaim the past and reimagine Black futures.
The very first cookbook to celebrate Juneteenth, from food writer and cookbook author Nicole A. Taylor--who draws on her decade of experiences observing the holiday.
Traveling along the path of the Underground Railroad from Virginia to Michigan, from the Indigenous nations around the Great Lakes, to the Black refugee communities of Canada, In the Upper Country weaves together unlikely stories of love, survival, and familial upheaval that map the interconnected history of the peoples of North America in an entirely new and resonant way.
Across a turbulent history, Black poets created a rich and multifaceted tradition that has been both a reckoning with American realities and an imaginative response to them. One of the great American art forms, African American poetry encompasses many kinds of verse: formal, experimental, vernacular, lyric, and protest. The anthology opens with moving testaments to the power of poetry as a means of self-assertion, as enslaved people voice their passionate resistance to slavery. This volume captures the power and beauty of this diverse tradition and its challenge to American poetry and culture. The volume also features biographies of each poet and notes that illuminate cultural references and allusions to historical events.